These interesting details show how meticulously Greta Gerwig produced her masterpiece, which was the glittering and pink Barbie movie, which was also emotional, intricate, and multifaceted.
Barbie, the whimsical but uplifting magnum opus of Greta Gerwig, has established itself as one of the most popular and profound films of the year.
Barbie’s carefully crafted narrative, from the speech to the pastel-colored costumes and locations, is clear from the first pink-drenched frame. In fact, there are a lot of nuances in the Margot Robbie-starring movie that viewers might not have noticed the first time.
10. A Homage to 2001: A Space Odyssey in the Opening Scene.
Before the first enormous Barbie demolished all of the young girls’ enthusiasm for their out-of-date dolls in front of them, they were playing with their baby dolls in the opening scene of Barbie.
This scene was an imitation of the “Dawn of Man” scenario from Stanley Kubrick’s 2001: A Space Odyssey, in which a huge monolith arrived among the apes and triggered the emergence of conscious thought in humanity.
The fact that some of the scenes were exact replicas of the originals demonstrated how Greta Gerwig was inspired by the beloved film.
9. Sasha and Her Friends May Have Served as a Representative of Bratz Dolls
The enormous Bratz Easter egg that enthusiasts think appeared when Barbie ventured into the real world is one of the most intriguing Barbie hypotheses.
One of the four females she encountered when she entered a high school was Sasha, Gloria’s daughter. The girls severely criticised Barbie, even claiming that they hadn’t played with her since they were five years old.
Viewers who paid close attention discovered that Sasha and her friends were exact replicas of the four Bratz dolls, which were the toys females graduated to when they outgrew Barbie. Sasha’s mother referred to her affectionately as “Bunny Boo” in addition to thinking she resembled the Bratz dolls.
8 The numerous references to the Wizard of Oz.
Barbie was influenced by The Wizard of Oz (1939), which Greta Gerwig discussed in her interview with Letterboxd.
Barbie drove through a theatre where The Wizard of Oz was being screened as she left Barbie Land. In addition, the path that forces her out of her comfort zone is similar to Dorothy’s Yellow Brick Road in the classic in that it is a Pink Brick Road.
Barbie and The Wizard of Oz are both representations of young women setting out on significant journeys that alter their world. Barbie may have transitioned from the fantasy to the real world, but she did so on a journey of self-discovery. Additionally, painted sets and
7. The Touching Hands of Ruth and Barbie Reminded of Michelangelo’s “The Creation of Adam”
Fans cherished the poignant inclusion of Ruth Handler, who created Barbie, in the film. Greta Gerwig went a step farther and slipped in a Renaissance detail to give Ruth’s interaction with Barbie even more significance.
Barbie brought Ruth her tea, and when Ruth’s hands touched Barbie’s, it resembled exactly “The Creation of Adam” by Michelangelo.
Ruth was the one who had given life to Barbie and sparked the imaginations of girls all around the world, thus this passing detail gave dimension to an otherwise straightforward picture.
This was a very poetic scene that demonstrated how sophisticated a movie could appear to be. Margot was also there.
6. Barbie Land’s Pegasus Statue and Fairy Sign.
What made the Barbie movie so evocative was that Greta Gerwig leaned into the rich history of Barbie and portrayed every form and iteration that had come before her picture. There was no attempt to construct a new order.
The Pegasus statue on the beach in Barbie Land and other little Easter eggs served as proof that the movie simply improved upon what already existed.
This film’s Pegasus was a not-so-subtle parody of the well-known Barbie animated film, Barbie and the Magic of Pegasus, which was produced in 2005. Barbie: A Fairy Secret was also alluded to by a large billboard depicting Barbie as a fairy in the background of the beach scenes.
5. Weird Barbie’s Decision to Adopt Stereotypical Barbie Is Similar to The Matrix.
When Weird Barbie gave Stereotypical Barbie a choice utilising two different versions of the same object, it was one of Barbie’s most significant (and humorous) moments.
She had two options: she could remain in Barbie Land forever while her limitations grew, or she could leave and discover who was messing with her and why she was giving Barbie ideas about cellulite and death.
This moment was obviously a parody of the scene in The Matrix where Keanu Reeves’ Neo is given the option to choose between the red and blue pills, despite the fact that Barbie did not first grasp the seriousness of the choice (presented by pink pumps and Birkenstock sandals).
4. The Airport in Barbie Land Is Called BAX.
Barbie Land contained many references that were directly taken from actual life, despite the fact that they were two separate and independent universes in Barbie. The airport in Barbie Land was named BAX, evidently in homage to LAX, the Los Angeles International Airport, which is a hilarious detail.
This tiny element highlighted the movie’s thorough development of the Barbie Universe and increased viewers’ ability to identify with it. Where all the Barbies lived and prospered was intricate enough to include a pink Statue of Liberty.
3. America Ferrera’s real-life partner is Gloria’s husband.
Barbie’s Gloria’s husband only made a brief appearance, but fans will be pleased to learn that Ryan Piers Williams, America Ferrera’s real-life husband, played him. In the film, he played a silly and endearing character who was more interested in picking up new languages.
When he said to Barbie, “Yes, we can,” in Spanish, his demeanour became even more pure. The phrase does have political overtones, although Ferrera’s character memorably uttered it in the Disney original movie Gotta Kick It Up! in 2002. This truth was made even more appealing by the fact that it was one of America Ferrera’s first acting roles.
2. The woman waiting for the bus is renowned costume designer Ann Roth.
Despite the fact that Barbie’s initial experiences in the real world were terrible, they gave rise to one of the most priceless scenes in the film.
Barbie briefly met the sweet older woman seated next to her as she sat at a bus stop contemplating her next move. The woman answered with sarcasm, claiming that she knew, to the doll’s pure declaration that she was gorgeous.
Legendary costume designer Ann Roth was the person in question, not an actor. She has received two Academy Awards for her costuming work on Midnight Cowboy, Hair, The Talented Mr. Ripley, The Village, Mamma Mia!, and other films.
1. One of the Humanity Montage’s real family clips from the cast and crew.
Although Barbie affected viewers in a variety of ways, the film’s central themes of girlhood and womanhood resonated most strongly with viewers. Ruth taught Barbie the actual meaning of being a woman as she was having an existential crisis and felt the urge to discover something higher than being a doll.
The moving montage that followed featured images of young ladies living their lives and experiencing both the highs and lows of being human.
Greta Gerwig acknowledged that the moving films in this concluding montage were sent by actual moms, daughters, sisters, and friends of the Barbie cast and crew. They responded to the director’s request for footage, and it was eventually used in this last scene, which is set to Billie Eilish’s “What Was I Made For?”
Source: cbr.com
